I’m an artist based in rural Scotland whose work explores identity, place, and belonging — both the everyday and the incorporeal.
I’m interested in the way culture, queerness, politics, and environment intersect to shape how we see ourselves and how we’re seen.
My practice often starts with playful observation — the language we use, the signs we pass, the rituals we inherit — and pushes into sharper reflections on power, community, and change.
G’day.
Visually, I’m drawn to repetition, restricted colour palettes, and the rawness of house paint, mops, and spray alongside traditional painterly techniques.
My work explores themes of cultural identity and is rooted in both the current social and political climates.
I’m influenced by the saturated visuals of advertising, iconography, and the designed world — and how those images shape our sense of identity.
Whether I’m working solo or collaboratively, I aim to make work that is accessible, humorous, and direct — art that doesn’t hide behind academic language, but still asks urgent questions.
I want to deliver a message quickly and easily, but also one that might revisit you later or cause you to ask yourself questions.
"A big fan of the pun or a quick caption or phrase; part of her work aims to take a bite and leave a sting with messages and themes that emerge with small town and rural living, as well as global issues and events. By harnessing the use of Aussie humour and perverse local pride there lays the subversive commentary on calling things as she sees them, especially the aspects that are less desirable and need to change."
- Grafton Regional Gallery
Wee Smashers, Stuff by Jaz Grady, Average Goods, Average Gallery and Stranger and Fiction Photography are all banners of mine, creating opportunities for multi-disciplinary work and limitless projects and opportunities.
